Alphabetical Bibliography
for The Flute
© 2005, Ardal Powell
[Note: For abbreviations
used in this bibliography please refer to The Flute,
p. 282. Internet resources are not listed.]
Addington, Christopher, ‘In
Search of the Baroque Flute’, EM 12 (1984) 34-47
-------- ‘The Bach Flute’,
Musical Quarterly 71 (1985), 264-280
Agricola, Martin, Musica
instrumentalis deudsch (Wittenberg: Georg Rhau,
1529 and 1545); facs. (Hildesheim: Georg Olms Verlag,
1969); trans. William E. Hettrick, The ‘Musica instrumentalis
deudsch’ of Martin Agricola(Cambridge and New York,
Cambridge University Press, 1994)
Ahmad, Patricia Joan, ‘The
Flute Professors of the Paris Conservatoire from Devienne
to Taffanel, 1795-1908’ (M.A. diss., North Texas State
University, 1980)
Alexejew, P.S., ‘Flöte und
Flötenspiel’, Neue Zeitschrift für Instrumentenbau
38.31 (August 1918), 319
Allain-Dupré, Philippe, Les
flûtes de Claude Rafi, fleustier lyonnais au XVIe siècle
(Courlay: Éditions J.M. Fuzeau, 2000)
Ancelet, Obervations sur
la musique, les musiciens, et les instruments (Amsterdam:
Aux dépens de la compagnie, 1757)
Anderies, John, ‘Vocal Music
for the Transverse Flute’, Traverso 6.3 (July
1994), 1-3
[André, A.], ‘Beschiedene
Anfrage an die modernsten Komponisten und Virtuosen’,
AmZ 1.9 (1798), col. 141-44, trans. in TKF
appendix V.
Annand, William, A Few
Words on the Flute (London: Author, 1843)
Anon., Manuscrit Allemand
du XVIIe Siècle, Thesaurus Musicus, Nova Series
(Brussels: Editions Culture et Civilisation, 1979)
Antoine Mahaut, Nouvelle
Méthode pour Aprendre en peu de tems a Joüer de la Flute
Traversiere/Nieuwe Manier om binnen korte tyd op de
Dwarsfluit te leeren speelen (Paris: Lachevardiere,
[1759] and Amsterdam: Hummel [1759])
Arbeau, Thoinot, (pseudonym
for Jehan Tabourot) Orchesographie (1589); trans.
Mary Stewart Evans, Orchesography: Thoinot Arbeau
(New York: Dover, 1968)
Arlt, Wulf, ‘The “Reconstruction”
of Instrumental Music: the Interpretation of the Earliest
Practical Sources’, Studies in the Performance of
Late medieval Music, ed. Stanley Boorman (Cambridge:
CUP, 1983), 75-100
Ashbee, Andrew, and David
Lasocki, A Biographical Dictionary of English Court
Musicians, 1485-1714, 2 Vols. (Aldershot, Hampshire
and Brookfield, VT: Ashgate, 1998)
Atlas, Allan W., The Wheatstone
English Concertina in Victorian England (Oxford:
Clarendon Press, 1996)
Augsbach, Horst, Johann
Joachim Quantz: Thematisches Verzeichnis der musikalischen
Werke, Wekgruppen QV 2 und QV3 (Dresden: Sächsische
Landesbibliothek, 1984)
-------- Johann Joachim
Quantz: Thematisch-systematisches Werkverzeichnis (QV)
(Stuttgart: Carus-Verlag, 1997)
B[oehm], M[arie], ‘Zur Errinnerung
an Theobald Boehm’, (Munich: privately printed, 1898)
MS trans. Dayton C. Miller, 1908 (DCM)
Badger, A.G., An Illustrated
History of the Flute (New York A.G. Badger, 1853)
Bailey, John R[obert], ‘Towards
a History of the Dresden Flute Tradition, 1850 to the
Present’, paper read at the NFA National Convention,
Boston, 21 August 1993
-------- ‘Maximilian Schwedler’s
Flute and Flute-Playing: Translation and Study
of Late Nineteenth-century German Performance Practice’
(D.M. diss., Northwestern University, 1987)
-------- ‘Maximilian Schwedler’s Flute and Flute-Playing: Translation
and study of late nineteenth-century German performance
practice’ (D.M. diss., Northwestern University, 1987)
Bainbridge, William, Observations
on the Cause of Imperfections in Wind Instruments, Particularly
in German Flutes (London: Innes, 1823)
Baines, Anthony, ‘James Talbot’s
Manuscript [Christ Church Library Music MS 1187]. 1.
Wind Instruments’, GSJ 1 (1948), 9-26
Bär, Frank P., ‘”… Faict de
la main de Raffy Lyonnois… “: Folgerung aus einem Sigmaringer
Instrumentenfund’, Musik in Baden-Württemberg
2 (1995), 75-108
Barbieri,
Patrizio, ‘Chiavette and Modal Transposition
in Italian Practice (c1500-1837)’ Ricercare
3 (1991), 5-79
--------
‘G.B. Orazi’s Enharmonic Flute and its Music (1797-1815)’,
GSJ 52 (2000), 281-304
Bate, Philip, The Flute:
A Study of its History, Development and Construction
(London: Ernest Benn and New York: W. W. Norton, 1969)
Batschelet, Bernhard ‘Beery’,
‘Musik an der Fasnacht: Volksmusik im Wandel’, Basler
Zeitung (27 February 1996), sec. iv, 37
Becker,
Janet S., ‘The Eighteenth[-]century Flute Concerto:
A Study and Edition of Two Manuscripts from the Fürst
Thurn und Taxis Hofbiliothek Regensburg with Reference
to Contemporary Treatises’ (D.M. diss., Northwestern
University, 1993)
Bell,
Kenneth, ‘Flute Playing in Britain: Stylistic Origins
and Developments’, Pan 7.4 (Dec 1989), 12-19.
--------
‘Traditions and Fashions: Are we Neglecting our Flute-playing
Heritage, and What can we Learn from it?’, Pan
14.1 (Spring 1996), 8-1
Benoît, Marcelle, Musique
de cour: chapelle, chambre, écurie, 1661-1733 (Paris:
A. et J. Picard, 1971)
-------- Versailles et
les musiciens du roi, 1661-1733: Étude institutionnelle
et sociale (Paris: Paris, A. et J. Picard, 1971)
Berbiguier, Benoît Tranquille,
30 Préludes ou points d’orgue Op. 134 (Paris, c1830)
-------- Nouvelle Méthode
pour la Flûte (Paris: Janet et Cotelle, c1818)
Berdahl, Susan Marie Beagle,
‘The First Hundred Years of the Boehm Flute in the United
States, 1845-1945: A Biographical Dictionary of American
Boehm Flutemakers’, 3 Vols., (Ph. D. dissertation, University
of Minnesota, 1985)
--------
‘Haynes, Haynes, and Haynes’, Woodwind
Quarterly 1 (May 1993), 103-19
Berger,
Karyn Ann, ‘Flute Intonation: A Comparison of Modern
and Theobald Boehm Flutes [sic] Scales’ (DMA
diss., University of Cincinnati, 1999)
Berthold, Theodor, and Moritz
Fürstenau, Die Fabrikation musikalischer Instrumente…
im Königl. Sächsischen Vogtlande (Leipzig: Breitkopf
und Härtel, 1876)
Bigio,
Robert, ‘Albert Fransella:
The Paganini of the Flute’, Pan
12.2 (June 1994), 19-25
--------
‘Gareth Morris at Eighty’, Pan 19.4 (December
2000), 26-33
--------
‘Richard Adeney at Eighty’, with a discography by Christopher
Steward, Pan 19.1 (2000), 14-20
Bignardelli,
Maurizio, ‘Die italienischen Flötisten des 19. Jahrhunderts
und der Carnevale di Venezia’, Tibia 22
(2000), 269-77
Blakeman, Edward, ‘Stephen Preston in conversation with
Edward Blakeman’, Pan 3.3 (Sept 1985), 8-13
Boehm,
Theobald, Die
Flöte und das Flötenspiel
(Munich: J. Aibl, 1871); trans. by J. Passmore Triggs as ‘The Flute and Flute-Playing in its Artistic, Technical, and Acoustical Relationships’, St Cecelia
Magazine Nos. 15 (March 1883)-22 (October 1883);
rev. trans. by Dayton C. Miller (Cleveland: Author,
c1908 and 1922), R/(New York: Dover Publications,
1964).
--------
Über den Flötenbau und die neuesten Verbesserungen
desselben (Mainz: Schott, 1847); French trans., De la fabrication
et des derners perfectionnements des flûtes (Paris:
Godefroy, 1848); Italian trans. by Antonio Jóry, Della
Costruzione dei Flauti e de’ piu recenti Miglioramenti delle Medesima (Milano: Ricordi, 1851), English ed. by W.S. Broadwood of Boehm’s own translation, An Essay On the Construction of Flutes
(London: Rudall Carte, 1882), R/with an introduction
by Karl Ventzke (Buren: Frits Knuf, 1982)
-------- Theobald Boehm’s [sic] neu construirte Flöte
(Munich: Falter & Sohn, 1843)
Boland,
Janice Dockendorff, ‘Charles Nicholson’s ornaments for
Roslin Castle’ Traverso 8.1 (January 1996),
1-3
-------- and Martha F. Cannon, Jean-Louis Tulou: A Method for the
Flute (Bloomington: Indiana University Press, 1995)
Bonta,
Stephen ‘The use of instruments in sacred music in Italy
1560-1700’, EM 18 (1990), 519-35
Bowers, Jane, ‘“Flaüste traverseinne”and
“Flûte d’Allemagne”: The Flute in France from the Late
Middle Ages up through 1702’, ‘Recherches’ 19
(1979), 7-49
-------- ‘A Catalogue of French
Works for the Transverse Flute, 1692-1761’, Recherches
28 (1978), 89-125 (errata in Recherches 29, 50)
-------- ‘Mozart and the Flute’, EM 20 (1992), 31-42
--------
‘New Light on the Development of the Transverse Flute
between about 1650 and about 1770’, JAMIS 3 (1977),
5-56
-------- ‘The French Flute
School from 1700 to 1760’ (Ph.D. diss., University of
California, Berkeley, 1971),
-------- ‘The Hotteterre family
of woodwind instrument makers’, in Rien de Reede, ed.,
Concerning the Flute (Amsterdam: Broekmans &
Van Poppel, 1984), 33-54
--------
‘The Long and Curious History of the Devienne Method
for the Flute’, in Music in Performance and Society:
Essays in Honor of Roland Jackson, ed. Malcolm Cole
and John Koegel (Warren, MI: Harmonie Park Press, 1997),
205-27
--------
François Devienne’s ‘Nouvelle Méthode Théorique et
Pratique pour la Flute’ (Aldershot and Brookfield
VT: Ashgate, 1999)
Bowles, Edmund A., La pratique
musicale au moyen age/Musical Performance in the Late
Middle Ages ([Paris]: Minkoff & Lattés, 1983)
Braun, Gerhard, ‘Arrangé pour
deux flûtes. Opernbearbeitungen für Flöteninstrumente’,
Tibia 12 (1987), 566-72
Broad, William J., ‘Ancient
Instruments Yielding Secrets of their Music’, The
New York Times, 19 January 1999, D1, D10
Bröhl,
Ricarda, ‘Die Flötensonaten Wolfgang Amadeus Mozarts’,
Tibia 5 (1979), 369-77
Brolli, Marco, ‘I flauti traversi
gravi tra il XVI ed il primo XIX secolo: storia, morfologia
e repertorio,’ (Tesi di diploma, University of Pavia,
1996-97). Extracted in: ‘Il flauto traverso basso nel
XVIII secolo’, Syrinx 41 (July-September 1999),
30-35; ‘Il flauto traverso d’amore nel XVIII secolo,’
Syrinx 43 (January-March 2000), 26-29; and ‘La
“traversa bassa”:
Parliamo ancora dei flauti gravi nel XVIII secolo:
la “traversa bassa” e il flauto traverso contralto,’
Syrinx 44 (April-June 2000), 18-21
Broughton, Simon, and Mark
Ellingham, ed., World Music: The Rough Guide, Vol.
2: Latin and North America, Carribean, India, Asia and
Pacific (London: Rough Guides, 2000)
Brown, Howard Mayer and Stanley
Sadie, eds., Performance Practice: Music Before 1600
(New York and London: Norton, 1989)
--------
‘Notes (and Transposing Notes) on the Transverse Flute
in the Early Sixteenth Century’, JAMS 12 (1986),
5-39
--------
Sixteenth-century Instrumentation: The Music for
the Florentine Intermedii (n.p.: American Institute
of Musicology, 1973)
Brown,
Howard Mayer, Jeremy Montagu, Jaap
Frank, and Ardal Powell, ‘Flute’
in NGD2
Bull, Sarah, ‘Edward de Jong’,
unpublished MS (Trevor Wye collection)
Burgkmair,
Hans, Der Weisskunig, ed. Alwin Schultz, Jahrbuch
der Kunsthistorischen Sammlungen des Allerhöchsten Kaiserhauses
6 (Vienna, 1888)
--------
The Triumph of Maximilian I, trans. and ed. Stanley
Appelbaum, (New York: Dover, 1964)
Busch-Salmen,
Gabriele and Adelheid Krause-Pichler, ed., Handbuch
Querflöte: Instrument, Lehrwerke, Auführungspraxis,
Musik, Ausbildung, Beruf (Kassel: Bärenreiter, 1999)
Byrne,
Maurice, [note on the catalogues of Settala’s collection],
GSJ 18 (1965), 126-27.
-------- ‘Pierre Jaillard,
Peter Bressan’, GSJ 36 (March 1983), 2-28
Byrt, John, ‘Quantz’s Solfeggi:
A Unique Document’, Leading Notes: Journal of the
National Early Music Association 16 (Autumn 1998),
6-15
Camus, [Paul Hippolyte], Méthode pour la nouvelle
flûte Boehm (Paris: E. Gérard, 1839)
Carse, Adam, Musical Wind
Instruments (London: Macmillan, 1939 R/New York,
1965)
--------
The Orchestra from Beethoven to
Berlioz (Cambridge: Heffer,
1948)
Carte, Richard, Sketch
of the Successive Improvements Made in the Flute
(London: Rudall, Rose & Carte, 1851)
-------- The Boehm Flute
Explained ( London: Addison and Hodson, 1846)
Castellani, Marcello, ‘“Über den schönen Ton auf der Flöte”. Il bel
suono del flauto traverso secondo Johann George Tromlitz’,
Recercare 2 (1990), 95-119, abbreviated trans.
in ‘Tone Quality on the Transverse Flute in the Writings
of Johann George Tromlitz’, Traverso 5.2 (April
1993), 1-2
--------
‘I Flauti nell’Inventario di Lorenzo il Magnifico (1492)’,
in Nikolaus Delius, ed., Sine musica nulla vita :
Festschrift Hermann Moeck, zum 75. Geburtstag am 16.
September 1997 (Celle: Moeck, 1997), 185-91
-------- ‘Il Solo pour
la flûte traversière di J.S. Bach: Cöthen o Lipsia?’,
Il Flauto Dolce 13 (October 1985), 15-21, in
German as ‘J.S. Bachs ‘Solo pour la flûte traversière’:
Köthen oder Leipzig’, Tibia 14 (1989), 567-73
-------- ‘L’art de “transposer”
sur la flûte traversière. La pratica della trasposizione
secondo Jacques Hotteterre’, Il Flauto Dolce
17 (April 1987), 26-31
-------- interview in Tibia
14 (1989), 512-18
Cecil-Sherman,
Ann, ‘John Amadio—Virtuoso Flutist’, New York Flute
Club Newsletter (April 2000), 4-7
Champness,
Roland, The Worshipful Company of Turners of London
(London: Turners’ Company, 1966)
Chanan, Michael, Musica
Practica: The Social Practice of Western Music from
Gregorian Chant to Postmodernism (London and New
York: Verso, 1994)
--------
Repeated Takes: A Short History of Recording and
its Effects on Music (London and New York: Verso,
1995)
Clinton,
John,
A Code of Instructions for the Fingering of the Equisonant
Flute by the Inventor & Patentee (London: Clinton & Co., c1860); facs. ed. Karl Ventzke
(Buren: Frits Knuf, 1990)
--------
A Complete School, or Practical
Instruction Book for the Boehm Flute (shut or open G#),
as Manufactured by A.G. Badger
(New York: A.G. Badger, c1860)
--------
A Few Practical Hints to Flute Players
upon the Subject of Modern Flutes (London: Clinton & Co., [1855])
--------
A School or Practical Instruction
Book for the Boehm Flute, with the Open or Shut G# Key (London: Cramer, Beale & Co., 1846)
-------- A Theoretical
& Practical Essay, on the Boehm Flute (London:
R. Cocks & Co., 1843)
--------
A Theoretical and Practical Essay
on the Boehm Flute, as Manufactured by Messrs. Rudall
& Rose (London: R. Cocks
& Co., 1843)
--------
Treatise upon the Mechanism and
General Principles of the Flute
(London: H. Potter, [1852])
Close, William, ‘Experiments
and Observations on the properties of Wind Instruments,
Consisting of a Single Pipe or Channel; With Improvements’,
in William Nicholson, ed., A Journal of Natural Philosophy,
Chemistry and the Arts, 5 (1801), 212‑23
Coche,
Victor, Examen Critique de la Flûte Ordinaire comparée à la Flûte de Böhm, présenté a MM Les Membres de l’Institut (Académie Royale des Beaux-Arts, Section
de Musique) (Paris: Author, 1838)
--------
Mémoire adressé a Son Excellence
M le Ministre d’État,
a M Le Directeur du Conservatoire, at a M Le Général
Mellinet, Président de la commission militaire au Conservatoire;
par M V. Coche, Professeur adjoint au Conservatoire
impérial de musique, pour établir ses droits a la place
de professeur en titre que laissera vacante la retraite
de M Tulou (Paris: Thunot, 1859)
--------
Méthode pour servir à l’enseignement de la nouvelle Flûte Inventée par
Gordon, modifiée par Boehm at perfectionnée par V. Coche
et Buffet, Jne.
(Paris: Schonenberger, 1838)
Coltman, John W., ‘The Intonation of Antique Flutes’, Woodwind
Quarterly 2 (Aug 1993), 76-91
-------- ‘Theobald Boehm and the Scale of the Modern Flute’, JAMIS 9 (1983),
89-111
Coover, James, Musical
Instrument Collections: Catalogs and Cognate Literature,
Detroit Studies in Music Bibliography, No. 47 (Detroit:
Information Coordinators, 1981)
d’Aquin de Chateau-Lyon, Pierre
Louis, Lettres sur les hommes célebres dans les sciences
la littérature et les beaux-arts sous le regne de Louis
XV (Amsterdam: Duchesne, 1752)
[Dart,
Thurston], ‘An Eighteenth-Century Directory of London
Musicians Reprinted from Mortimer’s London Universal
Directory (1763)’, GSJ 2 (March 1949),
27-31
David
William Eagle, ‘A Constant Passion and a Constant Pursuit:
A Social History of Flute-playing in England from 1800
to 1851’ (Ph. D. diss., University of Minnesota, 1977)
Day, Timothy, A Century
of Recorded Music (Cambridge and New York: Cambridge
University Press, 2000)
De
Gregorio, Vincenzo, ‘Il traversiere di Assisi, con alcune
osservazioni sulla prima fase del flauto traverso barrocco’,
Il Flauto dolce 10/11 (Jan-Jun 1984), 48-51
de Labarre, Michel ‘Mémoire
de M. de Labarre: Sur les musettes et hautbois &c.’,
in J.-G. Prod’homme, ed., Ecrits de musiciens
(Paris: Mercure de France, 1912), 244-45
De Lorenzo, Leonardo, Die
moderne Kunst des Präludiums (Leipzig: W. Zimmerman,
c1920)
de Reede, Rien, ‘Nederlandische
Flötisten und Flötisten in den Niederlanden 1700-1900’,
Tibia 24 (1999), 345-54, 433-41
--------
Die Flöte in der “Allgemeine Musikalische Zeitung”
(1798-1848) (Amsterdam: Broekmans and Van Poppel,
1997)
-------- ed., Concerning
the Flute (Amsterdam: Broekmans & Van Poppel,
1984)
Deadman, Alison Patricia,
‘“Augeletti che cantate”: Handel, his Woodwind Players,
and his London Operas’ (Ph. D. diss., UCLA, 1998)
Delius,
Nikolaus, ‘Die Flötenkonzerte von Pietro Nardini’,
in Rien de Reede, ed., Concerning the Flute,
75-79
-------- [A lost flute concerto
by Leopold Mozart], Tibia 29 (1994), 209-11
-------- ‘Note sulla tecnica
e la musica flautistica nel ‘700 in Italia’, SIFTS
3.1 (April 1998), 6-14
-------- ‘Quantz’ Schüler’,
Tibia 7 (1982), 176-84
Devienne, François, Nouvelle Méthode
Théorique et Pratique pour la Flûte (Paris: Imbault,
1794)
Dikmans, Gregory Paul, ‘The
Performance Practice of Early eighteenth-Century French
Flute Music: A Critical Translation of Jacques Hotteterre’s
‘Principes de la flûte traversière’, Commentary and
Recording of Selected Works’ (M.A. thesis, La Trobe
University [Victoria, Australia], 1991)
Dobbins,
Frank, Music in Renaissance Lyons (Oxford: Clarendon
Press, 1992)
Doret, Gustav, Temps et
Contretemps (Freiburg: Éditions de la librairie
de l'Université, 1942)
Dorgeuille, Claude, L’Ecole francaise de flûte (Paris: Editions Codberg, 1983,
rev. 1994), trans. and rev. Edward Blakeman with discography
by Christopher Steward, The French Flute School,
1860-1950 by Claude Dorgeuille (London: Tony Bingham,
1986)
Dorus, Louis, L’Etude de la nouvelle flûte, méthode progressive arangée d’après
Devienne
(Paris: Schoenenberger, c1840)
Dôthel, Niccolò, XXVIII
Studi per flauto solo (=Studi per il flauto in
Tutti I Tuoni è Modi, Paris: Berault, n.d.) and
VI Sonate per flauto e violoncello Op. 11 (=Sonates
pour une Flûte traversiere et un Violoncelle, Paris:
Taillart l’Ainé, n.d.), SPES ‘Archivum Musicum Flauto traversiere’ No. 19 (Florence,
1990)
Drouët, Louis, Méthode
pour la Flute (Antwerp:
A. Schott, 1827)
-------- Studies on Taste
and Style composed expressly for the Boehm Flute and
dedicated to Philip Ernst (New York: C. Breusing,
1854)
Dülon, Friedrich Wilhelm, Dülons des blinden Flötenspielers
Leben und Meynungen, von ihm selbst bearbeitet,
2 vols. (Zurich: C. M. Wieland, 1808)
Duthaler,
Georg, Trommeln und Pfeifen in Basel (Basel:
Meiran, 1985)
--------
Vom Trommeln und Pfeifen (Basel: Riannon, 1986)
Dzapo, Kyle J., Joachim
Andersen: A Bio-bibliography (Westport, Conn.: Greenwood
Press, 1999)
Eagle, David William, ‘A Constant Passion and a Constant Pursuit:
A Social History of Flute-playing in England from 1800
to 1851’ (Ph. D. diss., University of Minnesota, 1977)
Ehlich, Liane, ‘Zur Ikonographie
der Querflöte im Mittelalter’, Basler Jahrbuch für
Historische Musikpraxis 8 (1984), 197-212
Ehrlich,
Cyril, The Music Profession in Britain since the
Eighteenth Century: A Social History (Oxford: Clarendon
Press, 1985)
Ehrlich,
Robert, ‘Frans Brüggen, oder: Die Vermarktung eines
Star-Musikers’, Tibia 19 (1993), 449-53
Ellis, Alexander J., trans.
and ed., On the Sensations of Tone [by Hermann L.F.
Helmholz] (London: Longmans & Co., 1885, R/New
York, 1954)
Elste, Martin,
Meilsteine der Bach-Interpretation 1750-2000
(Stuttgart: Metzler, Kassel: Bärenreiter, 2000)
Eppstein, Hans, ‘Zur Problematik
von Johann Sebastian Bachs Flötensonaten’, Bach-Jahrbuch
67 (1981), 77-90
Fahrbach, Joseph, 30 Préludes
Op. 6 (Leipzig, n.d.)
Fanelli,
Jean Grundy, ‘The Manfredini Family of Musicians of
Pistoia, 1684-1803,’ Studi musicali 26.1 (1997),
187-232
Farrar, Lloyd P., ‘The American Fife and its Makers: An Historical
Examination’, The Woodwind Quarterly 11, 84-96
Farrenc, [Jacques Hippolyte] A[ristide], ‘Flute Boehm’, Revue et Gazette Musicale 5 No. 36 (Paris, 9 November
1838) 364-65
Fenlon,
Iain, ed. The Renaissance (Man & Music series)
(London: Macmillan, 1989)
Fétis,
François-Joseph, Biographie universelle des musiciens
(Paris: Firmin Didot, 1860-66)
Fitton,
Judith, ‘Interview: Gareth Morris’, Pan 9.3 (September
1991), 11-16,
Fitzgibbon, H. Macaulay The
Story of the Flute, being a History of the Flute and
Everything Connected with it (London: William Reeves,
2/1929)
Fleury, Louis, ‘Flûte’, Encyclopédie de la musique et dictionnaire du Conservatoire,
11 Vols. (Paris, C. Delagrave [c1913]-31), Part
2, Vol. 3, 1523-25.
-------- ‘The Flute and its Powers of Expression’,
Music & Letters 3 (1922), 383-93
Floyd, Angeleita, The Gilbert Legacy: Methods, Exercises and Techniques for the Flutist
(Cedar Falls, IA: Winzer Press, 1990)
Folkers, Catherine, ‘Playing
in Tune on a Baroque Flute’, Traverso 10.1 (January
1998), 1-3
Fontijn, Claire, ‘Quantz’s
unegal: Implications for the Performance of Eighteenth-century
Music’, EM 23 (1995), 55-62
Fountain, Henry, ‘After 9,000
Years, Oldest Playable Flute is Heard Again’, The
New York Times, 28 September 1999, D2
Frank, Jaap, ‘Alter Wein in
neuen Schlauchen’, Tibia 19 (1994), 283-86.
-------- ‘Wie “authentisch”
ist die Boehmflöte?’, Tibia 17 (1992), 271-78
[Frank, Jaap, Michael Cox,
and Hélène La Rue], ‘The Louis Lot Debate: Should Old
French Flutes be Modernised?’, Pan 14.3 (Spetember
1996), 31-36
Frisch, Jean-Christophe, ‘The
Italian Genius’, Traverso 5.1 (January 1993),
1-3
Fuller, Sarah, ‘Discant and
the Theory of Fifthing’, Acta Musicologica 50
(1978), 241-75.
Fürstenau, A[nton] B[ernhard], ‘Historisch-kritische Untersuchung
der Konstruktion unser jetzigen Flöte’, AmZ October
1838, col. 694-95, 706-08, 730-33
-------- Die Kunst des Flötenspiels Op. 138 (Leipzig: Breitkopf & Härtel, c1844 R/Buren,
The Netherlands: Frits Knuf, 1991)
Gallay, Jules,
ed., Un inventaire sous la Terreur (Paris: G.
Chamerot, c1890)
Galway,
James, An Autobiography (London: Chappell, 1978)
Ganassi, Sylvestro, Opera
Intitulata Fontegara, Venice: Author, 1635; trans.
ed. Hildemarie Peter (Berlin-Lichterfelde: Robert Lienau,
1956)
Gariboldi, Giuseppe, L’Art
de préluder du flûtiste Op. 149 (Paris, 1882)
Gärtner, Jochen, Das Vibrato
unter besonderer Berücksichtigung der Verhältnisse bei
Flötisten (Regensburg: Bosse, 1974 R/1980); trans.
The Vibrato, with Particular Consideration Given
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